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This art was refined by theorists such as Sun-tzu and practiced to perfection by leaders like Philip of Macedon.
It was the strategy of choice of Napoleon Bonaparte, T. E. Lawrence, Erwin Rommel, and Mao Tse-tung.
We are inherently impatient creatures. We find it hard to wait; we want our desires to be satisfied as quickly as possible.
The first step in mastering the counterattack is to master yourself, and particularly the tendency to grow emotional in conflict.
The key to the successful counterattack is staying calm while your opponent gets frustrated and irritable.
In sixteenth-century Japan, there emerged a novel way of fighting called Shinkage: the swordsman would begin the fight by mirroring his opponent’s every move, copying his every footstep, every blink, every gesture, every twitch. This would drive the enemy crazy, for he would be unable to read the Shinkage samurai’s moves or get any sense of what he was up to. At some point he would lose patience and strike out, lowering his guard. The Shinkage samurai would inevitably parry this attack and follow up with a fatal counterblow.
Mirroring people—giving back to them just what they give you—is a powerful method of counterattack. In daily life, mirroring and passivity can charm people, flattering them into lowering their defenses and opening themselves to attack. It can also irritate and discomfit them.
“the barbarian”—the man or woman who is especially aggressive by nature. Do not be intimidated by these types; they are in fact weak and are easily swayed and deceived. The trick is to goad them by playing weak or stupid while dangling in front of them the prospect of easy gains.
look for the emotion that your enemies are least able to manage, then bring it to the surface. With a little work on your part, they will lay themselves open to your counterattack.
As you neutralize your enemy’s strengths, you must similarly reverse your own weaknesses. If your forces are small, for example, they are also mobile; use that mobility to counterattack. Perhaps your reputation is lower than your opponent’s; that just means you have less to lose. Sling mud—some of it will stick, and gradually your enemy will sink to your level. Always find ways to turn your weakness to advantage.
The modern dilemma is that taking the offensive is unacceptable today—attack and your reputation will suffer, you will find yourself politically isolated, and you will create enemies and resistance. The counterattack is the answer. Let your enemy make the first move, then play the victim.
If the enemy is too smart to lose patience and attack you, or if you have too much to lose by waiting, go on the offensive.
Always remember the first rule of power tactics: Power is not only what you have but what the enemy thinks you have.
consider an option developed over the centuries by military leaders and strategists to deal with violent and acquisitive neighbors: reverse intimidation. This art of deterrence rests on three basic facts about war and human nature:
hitting back, for instance, even in some small, symbolic way, will show that you mean what you say. With so many other people around who are timid and easy prey, the aggressor will most likely back off and move on to someone else.
Surprise with a bold maneuver.
Reverse the threat. If your enemies see you as someone to be pushed around, turn the tables with a sudden move, however small, designed to scare them. Threaten something they value. Hit them where you sense they may be vulnerable, and make it hurt. If that infuriates them and makes them attack you, back off a moment and then hit them again when they’re not expecting it.
Seem unpredictable and irrational. In this instance you do something suggesting a slightly suicidal streak, as if you felt you had nothing to lose.
(This is particularly effective with people who have a lot to lose themselves—powerful people with sterling reputations.)
You are not acting out emotionally; that is a sign of weakness. You are simply hinting that you are a little irrational and that your next move could be almost anything. Crazy opponents are terrifying—no
Play on people’s natural paranoia. Instead of threatening your opponents openly, you take action that is indirect and designed to make them think. This might mean using a go-between to send them a message—to tell some disturbing story about what you are capable of.
To create this image, you may every now and then have to play a bit rough, but eventually it will become enough of a deterrent to make those occasions rare.
The story of Stonewall Jackson in the Shenandoah Valley illustrates a simple truth: what matters in war, as in life generally, is not necessarily how many men you have or how well supplied you are but how your enemies see you. If they think you are weak and vulnerable, they act aggressively, which in and of itself can put you in trouble. If they suddenly think you are strong, or unpredictable, or have hidden resources, they back off and reassess.
it is best to mix audacity with unpredictability and unorthodoxy and act boldly in moments of weakness or danger. That will distract people from any holes in your armor, and they’ll be afraid there may be more to you than meets the eye.
if you make your behavior hard to read, you’ll only seem more powerful, since actions that elude interpretation attract attention, worry, and a bit of awe.
The essence of this deterrence strategy is the following: when someone attacks you or threatens you, you make it clear that he will suffer in return.
Instead of taking him on directly, you hurt something he values, something close to home. You make him understand that every time he bothers you he can expect damage, even if on a smaller scale. The only way to make you stop attacking him in your irritating fashion is for him to stop attacking you. You are like a wasp on his skin: most people leave wasps alone.
Sending them a message through a third party or revealing it indirectly through action is much more effective. That way you signal that you are already maneuvering against them. Keep the threat veiled:
Boyd’s colleagues in the Pentagon had their own pet projects. Competing for the same pot of money, they did everything they could to sabotage or transform his design.
vowing revenge. But what could they do? He had already shot down their numbers and turned their proposals to mush. Caught in the act of oversell, they had lost all credibility.
Boyd always tried to make sure he had at least one powerful supporter. This was usually easy to find: in a political environment like the Pentagon, there was always some general or other powerful official who was disgusted with the system and was happy to be Boyd’s secret protector.
“Sir, I’ll be happy to follow that order. But I want you to put it in writing.” Generals liked to issue commands verbally rather than putting them on paper as a way to cover themselves in case things went bad. Caught off guard, the general would either have to drop the order or deny the request to put it in writing—which, if publicized, would make him look terrible. Either way he was trapped.
If he tried to fight everyone, to take on every contractor and general, he would exhaust himself and go down in flames.
a strategist never hits strength against strength; instead he probes the enemy’s weaknesses.
play dumb and unassuming. Seem inoffensive, or already defeated, and people may leave you alone. A harmless front can buy you time:
careful not to become intoxicated by the power fear brings: use it as a defense in times of danger, not as your offense of choice. In the long run, frightening people creates enemies, and if you fail to back up your tough reputation with victories, you will lose credibility.
Mao was born and raised on a farm, and Chinese farm life could be harsh. A farmer had to be patient, bending with the seasons and the capricious climate. Thousands of years earlier, the Taoist religion had emerged from this hard life. A key concept in Taoism is that of wei wu—the idea of action through inaction, of controlling a situation by not trying to control it, of ruling by abdicating rule.