The creation of what the Nazis regarded as a truly German musical culture also involved the elimination of foreign cultural influences such as jazz, which they considered to be the offspring of a racially inferior culture, that of the African-Americans. The racist language that was second nature to Nazism was particularly offensive and aggressive in this context. Nazi musical writers condemned ‘nigger-music’ as sexually provocative, immoral, primitive, barbaric, un-German and thoroughly subversive.
