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The cheap devices using cassette tape had a special quality, the warmth of magnetic tape, the rich sound of tape saturation, all colored by built-in limiting/compression. What Van Zandt describes, however, was not multitrack recording. It was one-track, mono recording put down on a cassette, the tape width roughly one-eighth of an inch as opposed to the two inches for professional tape.
Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska
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