The Moonstone
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Read between May 4 - May 17, 2025
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you. The upshot of it was, that Rosanna Spearman had been a thief, and not being of the sort that get up Companies in the City, and rob from thousands, instead of only robbing from one, the law laid hold of her, and the prison and the reformatory followed the lead of the law.
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Miss Rachel, possessing a host of graces and attractions, had one defect, which strict impartiality compels me to acknowledge. She was unlike most other girls of her age, in this—that she had ideas of her own,
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(Nota bene:—I am an average good Christian, when you don’t push my Christianity too far. And all the rest of you—which is a great comfort—are, in this respect, much the same as I am.)
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Once self-supported by conscience, once embarked on a career of manifest usefulness, the true Christian never yields. Neither public nor private influences produce the slightest effect on us, when we have once got our mission. Taxation may be the consequence of a mission; riots may be the consequence of a mission; wars may be the consequence of a mission: we go on with our work, irrespective of every human consideration which moves the world outside us. We are above reason; we are beyond ridicule; we see with nobody’s eyes, we hear with nobody’s ears, we feel with nobody’s hearts, but our own. ...more
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As for me, my sense of propriety was completely bewildered. I was so painfully uncertain whether it was my first duty to close my eyes, or to stop my ears, that I did neither.
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A magnificent sermon was preached by my gifted friend on the heathen indifference of the world to the sinfulness of little sins. For more than an hour his eloquence (assisted by his glorious voice) thundered through the sacred edifice. I said to Rachel, when we came out, “Has it found its way to your heart, dear?” And she answered, “No; it has only made my head ache.”
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Mr. Blake idly turned over the books on his bedroom table. I had taken the precaution of looking at them, when we first entered the room. The Guardian; The Tatler; Richardson’s Pamela; Mackenzie’s Man of Feeling; Roscoe’s Lorenzo de’ Medici; and Robertson’s Charles the Fifth—all classical works; all (of course) immeasurably superior to anything produced in later times; and all (from my present point of view) possessing the one great merit of enchaining nobody’s interest, and exciting nobody’s brain.
So the years pass, and repeat each other; so the same events revolve in the cycles of time.