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In the name of Fluxus, violins were smashed (Nam June Paik’s One for Violin Solo, 1962), pianos were dismantled (Philip Corner’s Piano Activities, 1962), and Stockhausen concerts were picketed (Henry Flynt employed the slogan “STOCKHAUSEN—PATRICIAN ‘THEORIST’ OF WHITE SUPREMACY: GO TO HELL!” in 1964).
The Rest is Noise: Listening to the Twentieth Century
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