The Guide
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Read between May 2 - May 5, 2018
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The Indian novel in English has been around for longer than is generally realized, with the first attempts dating to the middle of the nineteenth century.
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The Guide stands as the greatest of Narayan’s comedies of self-deception.
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A film of the novel, called simply Guide, was released in 1965, produced by and starring Dev Anand, directed by Vijay Anand, and with Waheeda Rehman as Rosie;
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“The unbeaten brat will remain unlearned,” said my father, quoting an old proverb.
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“I have a problem, sir,” said the man. Raju nodded his head and added, “So has everyone,” in a sudden access of pontificality.
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My father, who wanted to save me from the language of the railway trackmen, had certainly not made a safer choice in sending me to this old man, who habitually addressed his pupils as donkeys and traced their genealogies on either side with thoroughness.
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Raju remained silent. He could not open his lips without provoking admiration. This was a dangerous state of affairs.
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The essence of sainthood seemed to lie in one’s ability to utter mystifying statements.
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Travelers are an enthusiastic lot. They do not mind any inconvenience as long as they have something to see.
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It worked. She said, “You are a brother to me” (“Oh, no,” I wanted to cry),
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“The finest, whatever it may be, and I don’t believe in class or caste. You are an honor to your caste, whatever it may be.”
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I’ve come to the conclusion that nothing in this world can be hidden or suppressed. All such attempts are like holding an umbrella to conceal the sun.