In the same way that Elstir liked to see incarnate before him, in his wife, the Venetian beauty he had often painted in his works, I gave myself the excuse that there was a degree of aesthetic selfishness in my attraction toward beautiful women who could cause me pain, and I felt something close to idolatry for the future Gilbertes, the future Duchesses de Guermantes, the future Albertines whom I might meet and who, it seemed to me, might inspire me, as if I were a sculptor walking among fine classical marbles. I ought, though, to have realized that even earlier than this attraction to each of
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