Tobias Langhoff

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From where Clavain stood, it was like watching fireworks above a remote town. From the colours of Agincourt to the flames of Guernica, to the pure shining light of Nagasaki like a cleansing sword blade catching the sun, to the contrails etched above the skies of the Tharsis Bulge, to the distant flash of heavy relativistic weapons against a starscape of sable-black in the early years of the twenty-seventh century: Clavain did not need to be reminded that war was horrific, but from a distance it could also have a terrible searing beauty.
Redemption Ark (Revelation Space, #2)
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