Allyson Clark

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Before he died, my father taught me his finger moves. They were movements for getting a woman off. He said he didn’t know if they’d be of use to me, seeing as how I was a woman myself, but it was all he had in the way of a dowry. I knew what he meant: he meant inheritance, or legacy, not dowry. There were twelve moves in all. He did them on my hand like sign language. They were mostly about speed and pressure in different combinations. There were some flourishes that I never would have thought of. I imagined he’d learned them when he was overseas. A sudden reversal in both speed and direction.
No One Belongs Here More Than You
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