As a reader (before becoming a writer) I read as I had been taught to do. But books revealed themselves rather differently to me as a writer. In that capacity I have to place enormous trust in my ability to imagine others and my willingness to project consciously into the danger zones such others may represent for me. I am drawn to the ways all writers do this: the way Homer renders a heart-eating cyclops so that our hearts are wrenched with pity; the way Dostoevsky compels intimacy with Svidrigailov and Prince Myshkin. I am in awe of the authority of Faulkner’s Benjy, James’s Maisie,
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