Pilgrim at Tinker Creek

by Annie Dillard

It is dire poverty indeed when a man is so malnourished and fatigued that he won’t stoop to pick up a penny. But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days. It is that simple. What you see is what you get.

I allow the spiders the run of the house. I figure that any predator that hopes to make a living on whatever smaller creatures might blunder into a four-inch square bit of space in the corner of the bathroom where the tub meets the floor, needs every bit of my support.

Living is moving; time is a live creek bearing changing lights.

The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless.

The general rule in nature is that live things are soft within and rigid without. We vertebrates are living dangerously, and we vertebrates are positively piteous, like so many peeled trees.

On the planet the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger: feel the now.

big elm in a single season might make as many as six million leaves, wholly intricate, without budging an inch; I couldn’t make one. A tree stands there, accumulating deadwood, mute and rigid as an obelisk, but secretly it seethes; it splits, sucks, and stretches; it heaves up tons and hurls them out in a green, fringed fling. No person taps this free power; the dynamo in the tulip tree pumps out ever more tulip tree, and it runs on rain and air.

even on the perfectly ordinary and clearly visible level, creation carries on with an intricacy unfathomable and apparently uncalled for. The lone ping into being of the first hydrogen atom ex nihilo was so unthinkably, violently radical, that surely it ought to have been enough, more than enough. But look what happens. You open the door and all heaven and hell break loose.

The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.

That something is everywhere and always amiss is part of the very stuff of creation.

Predator and prey offenses and defenses (and fecundity is a defense) usually operate in such a way that both populations are fairly balanced, stable in the middle as it were, and frayed and nibbled at the edges, like a bitten apple that still bears its seeds.

The towhee has the brass and grace to call, simply and clearly, “tweet.” I know of no other bird that stoops to literal tweeting.

Spend the afternoon. You can’t take it with you.