She liked doing the political plays, which angry or hopeful tended to contain an innate utopianism, a drive for progress; but the plays that struck her as most true, and moved her most deeply, were the old Terran tragedies. And the more tragic the better. Catharsis as described by Aristotle seemed to work very well for her; she emerged from good performances of the great tragedies shattered, cleansed—somehow happier.
