Don Gagnon

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Laney looked at the screen. Concert footage now, and Rez was dancing, a microphone in his hand. “You’ve seen this video, right? Is he serious about that ‘Sino-Celtic’ thing he was talking about in that interview?” “You haven’t met him yet, have you?” “No.” “It’s not the easiest thing, deciding what Rez is serious about.” “But how can there be ‘Sino-Celtic mysticism’ when the Chinese and the Celts don’t have any shared history?” “Because Rez himself is half Chinese and half Irish. And if there’s one thing he’s serious about . . .” “Yes?” “It’s Rez.”
Don Gagnon
“Laney looked at the screen. Concert footage now, and Rez was dancing, a microphone in his hand. “You’ve seen this video, right? Is he serious about that ‘Sino-Celtic’ thing he was talking about in that interview?” “You haven’t met him yet, have you?” “No.” “It’s not the easiest thing, deciding what Rez is serious about.” “But how can there be ‘Sino-Celtic mysticism’ when the Chinese and the Celts don’t have any shared history?” “Because Rez himself is half Chinese and half Irish. And if there’s one thing he’s serious about . . .” “Yes?” “It’s Rez.”” Reference Gibson, William (1996, Sep. 4). “Idoru.” Kindle Edition. Chapter 19 Arleigh, p. 130 of 263, 46%.
Idoru (Bridge, #2)
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