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Come with me, Alobar, for while we must go forever in despair, let us also go forever in the enjoyment of the world.”
“True, he is, but he is associated with female values. To diminish the worth of women, men had to diminish the worth of the moon. They had to drive a wedge between human beings and the trees and the beasts and the waters, because trees and beasts and waters are as loyal to the moon as to the sun. They had to drive a wedge between thought and feeling, between the lamplight by which they count the day's earnings and the dark to which our Pan is ever connected. At first they used Apollo as the wedge, and the abstract logic of Apollo made a mighty wedge, indeed, but Apollo the artist maintained a
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LOUISIANA IN SEPTEMBER was like an obscene phone call from nature.
The word jolted Claude. He shuddered. The LeFever twins had been small boys during the Nazi occupation of Paris, but they recalled it as an adult recalls the breaking of a bone in childhood: the sickening crack, the fear, the pain, the sadness, the sudden ooze of blood that shows itself like the black blush of fairy-tale witches. It was a wound upon their memory, a thud of monster boots in a distant sandbox.
Perhaps the most terrible (or wonderful) thing that can happen to an imaginative youth, aside from the curse (or blessing) of imagination itself, is to be exposed without preparation to the life outside his or her own sphere—the sudden revelation that there is a there out there.
If the earth needs night as well as day, wouldn't it follow that the soul requires endarkenment to balance enlightenment?
It is said that when a man is anticipating sexual activity, his whiskers grow at an accelerated rate. Alobar might have to stop and shave before we reach the end of this paragraph.
“Thank thee, my lady, I thank thee well. If Pan were aware of these matters, I am sure he wouldst express his gratitude at great length.” She winked at Kudra. Kudra winked back. For a second, the two women, the one statuesque and umber, the other petite and rosy, smiled at one another knowingly.
And he vowed that in the future he would strive to keep that sense of play more in mind, for he'd grown convinced that play—more than piety, more than charity or vigilance—was what allowed human beings to transcend evil.
Your truly happy people, which is to say, your people who truly like themselves, they don't think about themselves very much. Your unhappy person resents it when you try to cheer him up, because that means he has to stop dwellin' on himself and start payin' attention to the universe. Unhappiness is the ultimate form o' self-indulgence.”
“Fragrance is a conduit for our earliest memories, on the one hand; on the other, it may accompany us as we enter the next life. In between, it creates mood, stimulates fantasy, shapes thought, and modifies behavior. It is our strongest link to the past, our closest fellow traveler to the future. Prehistory, history, and the afterworld, all are its domain. Fragrance may well be the signature of eternity.”
If a person leads an “active” life, as Wiggs had, if a person has goals, ideals, a cause to fight for, then that person is distracted, temporarily, from paying a whole lot of attention to the heavy scimitar that hangs by a mouse hair just above his or her head. We, each of us, have a ticket to ride, and if the trip be interesting (if it's dull, we have only ourselves to blame), then we relish the landscape (how quickly it whizzes by!), interact with our fellow travelers, pay frequent visits to the washrooms and concession stands, and hardly ever hold up the ticket to the light where we can
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“Oh, no, darlin', none o' that. Sure and they destroyed some cells, no doubt about it, but 'twas for the good. If you want your tree to produce plenty o' fruit, you've got to cut it back from time to time. Same thing with your neural cells. Some people might call it brain damage. I call it prunin'.”
We've got ourselves stuck in a cyclic system that makes true freedom, true growth impossible. In the arts, a period o' classicism is followed by a period o' romanticism. Then 'tis back to the classical again. 'Tis as simpleminded as a bloody pendulum, and for me, at least, it robs art of any real meaning. Same thing in society. A conservative cycle, a liberal cycle, then a conservative cycle again. Action and reaction, back and forth, like the tides. As long as we're trapped in these cycles, we can't expect much in the way o' liberation, we can't even expect fundamental change except the awful
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“No, my friends, what bothers me today is the lack of, well, I guess you'd call it authentic experience. So much is a sham. So much is artificial, synthetic, watered-down, and standardized. You know, less than half a century ago there were sixty-three varieties of lettuce in California alone. Today, there are four. And they are not the four best lettuces, either; not the most tasty or nutritious. They are the hybrid lettuces with built-in shelf life, the ones that have a safe, clean, consistent look in the supermarket. It's that way with so many things. We're even standardizing people, their
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The most intense spiritual experiences all seem to involve the suspension of time. It is the feeling of being outside of time, of being timeless, that is the source of ecstasy in meditation, chanting, hypnosis, and psychedelic drug experiences. Although it is briefer and less lucid, a timeless, egoless state (the ego exists in time, not space) is achieved in sexual orgasm, which is precisely why orgasm feels so good. Even drunks, in their crude, inadequate way, are searching for the timeless time. Alcoholism is an imperfect spiritual longing.

