If I were writing an honest autobiography of the audience—I mean the audience of the work of monstrous men—that autobiography would need to balance these two elements: the greatness of the work and the terribleness of the crime. I wished someone would invent an online calculator—the user would enter the name of an artist, whereupon the calculator would assess the heinousness of the crime versus the greatness of the art and spit out a verdict: you could or could not consume the work of this artist.
