Monsters: A Fan's Dilemma
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Read between June 13 - June 15, 2025
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This, I think, is what happens to so many of us when we consider the work of the monster geniuses—we tell ourselves we’re having ethical thoughts when really what we’re having are moral feelings.
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We live in a biographical moment, and if you look hard enough at anyone, you can probably find at least a little stain. Everyone who has a biography—that is, everyone alive—is either canceled or about to be canceled.
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There are two kinds of people who stop drinking: those who simply don’t care for the stuff, and those who care for it too much. I was the latter kind. And when a person like me quits drinking, they are confessing, on some level, that they have become an unmanageable monster.
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In a nutshell, addicts are often people who have been badly hurt—sometimes by other people, sometimes by more structural abuses like poverty and racism. When we sit in a room and accept our fellow monsters, this knowledge—of our own experiences with pain—informs that acceptance as well. We’re monsters and we’re victims.
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I guess all of this is a long way of saying: monsters are just people. I don’t think I would’ve been able to accept the humanity of monsters if I hadn’t been a drunk and if I hadn’t quit. If I hadn’t been forced, in this way, to acknowledge my own monstrosity.
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If I was part monster, surely people who’d done crimes were part human?
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We love whether we want to or not—just as the stain happens, whether we want it to or not.
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The way you consume art doesn’t make you a bad person, or a good one. You’ll have to find some other way to accomplish that.
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My books kept me from loneliness, all my life.
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Reading is an unambiguously good thing in a life that’s been filled with mixed blessings.
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What do we do with the art of monstrous men? This question is the merest gnat, buzzing around the monolith that is the bigger question: what do we do about the monstrous people we love?
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Love is anarchy. Love is chaos. We don’t love the deserving; we love flawed and imperfect human beings, in an emotional logic that belongs to an entirely different weather system than the chilly climate of reason.