Barry Welsh

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DQSH performers demonstrate a refusal to be told what to do. In their demonstration of strategic defiance, drag storytellers engage in a more finely tuned kind of resistance that many children practice all the time. This embodied pedagogy teaches that, in unjust situations, people can use strategic tactics to push back against harmful actions. Drag may be especially well-positioned as a form of cultural production that, to paraphrase the writer and filmmaker Toni Cade Bambara, serves to “make revolution irresistible.” If I might be blunt, I cordially invite any decent person to try to convince ...more
The Marxification of Education: Paulo Freire's Critical Marxism and the Theft of Education
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