Kiernan Conrad

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Olive had approached Andrea L’Riuex that day at the marina because the girl was famous. That’s why she had sat herself down and talked to her like she knew her. If Andrea L’Rieux had never become the Poet Laureate of the United States, if she had just been what Olive would have expected of her—another woman with children and sort of happy and mostly unhappy (her sad-faced
Olive, Again (Olive Kitteridge, #2)
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