In another life,1 I’m an art historian. A professor of art history or maybe a conservator of artworks, but this is where I’d be. Surrounded by beautiful things, things that inspire you and move the world forward and speak to what it means to be human, and there would be nothing bad, no one would be dying, and if they were it’d be two-dimensional. There would be no blood, just red paint, and love would be straightforward because there are so many different kinds of love in the world and art captures a moment in each of them. And it’s just a moment, not a whole picture—I know that—but there’s
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