Brook

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getting a book sold and published had everything to do with who and what she knew. Yes, the voice, the story, was critical, but perhaps even more so was knowing which editor was secretly pregnant and would be susceptible to a memoir about a mother’s hunt for her missing child, or which one had recently divorced and might relish a snarky female serial killer. Books spoke to specific people for specific reasons, and it had everything to do with where they were in their lives.
No Two Persons
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