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It will hold her within its walls until her reason for coming to the island disintegrates beneath her. It is claustrophobia and decay and tragedy too intense for her fragile, newly recovered self to take.
Aileen says in a voice like pebbles dragged by the tide,
The dreadful wind and rain are keeping her tethered to the earth. Without them, she fears she’ll float out of her skin and up over the island like a discarded balloon.
Continue the downward spiral she’s been on since she realized a can of beer or a tablet of Xanax made her memories of orphanages and brutish foster mothers turn as sepia-toned and serene as the childhood photographs she never got to have?
Because for all her self-hatred and misery and dissociation and depression, she wants, very much, to live.
Something clicks behind her, and Thalia turns, but it’s just the room. Settling. Or, not settling. Waiting. Persisting in its energy. And angry she’s discovered one of its secrets.
I bow to a God not of my understanding, but of my imagination, as insufficient a replacement as the playhouse-size replica of a grand mansion.
I’m on my way to confession; you’re on your way back outside, aboveground, into the light.
Thalia is so shocked by the woman’s allegations of violence that it takes her a moment to remember she had drugged her sangria.
The sun doesn’t come out. Not yet. That would be a cliché unworthy of the dark, terrifying story they’ve somehow lived through. But Thalia thinks it will. If not today, or tomorrow, then soon.