should mention here that some three years earlier, after several hours in the presence of Felix Abravanel, I had been no less overcome. But if I did not fall at his feet straightaway, it was because even a college senior as writer-worshipping as myself could see that with Abravanel such boundless adoration—at least if offered up by a youthful male admirer—was doomed to go unrequited. The ardor of those books, composed in the sunny stillness of his California canyon and seething with unbuttoned

