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it was like a larger version of the Desaix’s stateroom (how glad he was the Desaix was safe) and it, too, was singularly beautiful and full of light – the same range of curved stern-windows, the same inward-leaning side-walls (the ship’s tumblehome, in fact) and the same close, massive white-painted beams overhead in extraordinarily long pure curves right across from one side to another:
Master and Commander (Aubrey & Maturin, #1)
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