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But as one person who makes a living in the visual world to another? Beauty always has a price tag. You can ask for what you’re worth.”
she laughs again, a sound like blossoms opening in spring.
he used to give a boutonniere or small corsage to people coming in to place an order, like it was a bit of luck to take with them. I expanded on it. I create it while we talk. Sometimes they’re so charmed to have a free arrangement inspired by them that it erases the five minutes of rudeness they experienced.
I wonder if she’ll look up The Language of Flowers and figure out I just told her, You are immature and I resent you. Go away.
I’m buzzing, remembering my first boutonniere. Buttercups and petunias—immaturity and resentment.
Maybe Whitney did blacklist me from her vendors for October seventh. I don’t know why she would, but maybe she did. And maybe that means I don’t have to be her kind of professional anymore.
instead, the most beautiful girl I’ve seen in my life is standing in the doorway. She’s tall and long-limbed with dark hair and big eyes. She’s the kind of girl that guys fall over themselves for, but who I decided long ago isn’t for me. I don’t like falling over myself.
“Maybe someone could talk me into a flower.” Her voice is low. Vowels round and slow. “You already are a flower.” I regret it the second it’s out of my mouth. It’s not smooth. It’s not sexy.
“In mythology, Amaryllis fell in love with a—with a man who loved flowers…”
“She doesn’t have to work around my schedule—” “But you have to work around hers.”
“Mom, please don’t marry him,” I hear behind us. I turn to see Ama being rolled out in a wheelchair. I’ve paralyzed her. And before I can start mentally drafting up plans for widening doorways at the shop and installing ramps at my house, she stands up gingerly with her mother’s assistance.
“I don’t give a fuck who it is. I want you to look debauched when I’m debauching you.”
“B-because I want to know you. I want to know what you like, what you hate—even if it’s me.” I start pressing a second finger inside slowly. “Fuck fuck fuck—I want to love what you love, even if it’s extinct.”
“I’ll see you next weekend.” Maybe I’m imagining the tightness of her smile. I nod and memorize her, in case this didn’t go as well as I thought. When she slips out the door, I’m trying to remember her exact words: I want to know you. I want to know what you like, what you hate.
You may think everything ends one day, but you haven’t had ‘everything’ with me.”
What I’m hearing is that she doesn’t want this thing between us to end. That excites me. The idea that she wants to look into the future and still see me is intoxicating. It whispers promises into my chest that she’s making clear she won’t voice aloud.
“No one should have to wait for happiness a second longer than they have to.”
She’ll show up at my place at eleven some nights, either bursting with ideas or slipping her jeans off. Sometimes both. When I get the text on my way now, I don’t know whether to brew a cup of Keurig and clear the coffee table or get hard. Ama likes working on the floor around my coffee table—she also likes fucking on my coffee table, so you see the dilemma I’m in?—mainly because she doesn’t have a coffee table.
“What’s the next step then, Ama?” She breathes roughly. “What?” “When you have feelings for someone like you do about me, what do you envision is the next logical step?” I say, trying to keep the sickness in my chest from turning on her. “We continue as we have for the next seventy years? Maybe you move in, but that’s—that’s the end?” Her nostrils flare at me. “I don’t know! I told you I don’t do relationships—” “And yet here we are.”
“No, it’s because marriages end! Relationships end!” I shake my head and correct her, “Can end. May end. And because you don’t want us to end, you don’t even want a beginning?”
“I don’t really give a fuck what you film,” Elliot says. “My first priority is to this wedding. Then my second is the flowers for this wedding.” “Alright, Mr. Bloom—” “You wanna know where you and your cameras fall on the list? Wayyy down, lady. Maybe twentieth. Twenty-first if there’s a flower girl in this wedding.”
“That’s not how it works,” he says. “There is no falling out of love for people like you and me.”
“Sometimes you just count down the days, the hours, until you can be useful again,” he says. “And if it ever ends, Jackie?” He lowers his voice. “You’re still counting away. The months since. The exact days since. Like a tally of moments you’ve spent not being important to them. But don’t ever think you’ll wake up and not be in love with her.”
“What do you want? If there were no consequences to your actions, what would you want?” “To be with him,” I say softly. I sniff back the tears that spring. “For how long?” I press my lips together. I look up at her.
“It’s…It was never about extinction. The tattoos…” He blows out his air. “They’re ones that I—that I can’t have. Ones that can’t be used in arrangements, can’t be kept in the shop.” He looks up to me. “Ones that are likely to disappear before I can love them.”
“I’m just so mad that you thought you could walk in here, propose, and tell me you love me.” He smiles, his nose brushing against my cheek. “Things don’t really change, do they?” I say. “I’ve always done whatever I wanted in this back room.” He brushes my hair over my ear. “That’s why I love you.”
I love a good proposal story, but my favorite one I’ve heard? Well, I’ll let you know when he says yes.