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I think that maybe none of it is real, except me. And then I think that perhaps all of it is real, except me, and that’s much worse.
I was starting to think that this tearstained monster—this woman of rages, of sobs, of hysterical laughter—was the real me, and that the woman I’d been for my first twenty-nine years was the fake, the imitation.
What makes an artist, after all? Some kind of passion, some kind of spiritual soulfulness I didn’t own?
“I can’t help it. I see a man, I flirt. Most of them like it.” “Do you like it?” My hand went still. No one had ever asked me that before. Why did I feel like crying?

