The Prisoner’s Throne (The Stolen Heir Duology, #2)

by Holly Black

Oak hadn’t known what consorts were, and because it was Faerie and sex didn’t embarrass them, Oriana explained that a consort was someone the king wanted to take to bed. And if they were boys like Val Moren, it was for delight; if they were girls like herself, then it was for delight, but also might yield babies; and if the lover were of some other gender, that was for delight and the part about the babies could be a surprise.

“I thought love was a fascination, or a desire to be around someone, or wanting to make them happy. I believed it just happened, like a slap to the face, and left the way the sting from such a blow fades. That’s why it was easy for me to believe it could be false or manipulated or influenced by magic. “Until I met you, I didn’t understand to feel loved, one has to feel known. And that, outside of my family, I had never really loved because I hadn’t bothered to know the other person. But I know you. And you have to come back to me, Wren, because no one gets us but us. You know why you’re not a monster, but I might be. I know why throwing me in your dungeon meant there was still something between us. We are messes and we are messed up and I don’t want to go through this world without the one person I can’t hide from and who can’t hide from me.