Turan’s animosity towards my work has persisted throughout my career. To such a degree, when he finally responded positively to my film Once Upon a Time . . . in Hollywood, he felt the need to explain to the readers the degree to which he had dismissed my work in the past (though by that time the only one keeping score was me). When you share an antagonism with one critic for as long as Kenny and me, you end up having a strange personal connection with each other.
