He wants to be reasonable. He wants to cast off the peculiar curse that makes him a stranger to the village. The episode of Frieda is significant in this regard. If he takes as his mistress this woman who has known one of the Castle’s officials, this is because of her past. He derives from her something that transcends him while being aware of what makes her forever unworthy of the Castle. This makes one think of Kierkegaard’s strange love for Regina Olsen. In certain men, the fire of eternity consuming them is great enough for them to burn in it the very heart of those closest
