came over to me. “What a great sound you guys have tonight. So clear!” I smiled. The five-way idea had really worked. Britro had plenty of work for me after that night. It seemed their sound systems were everywhere. Whenever I’d go to Long Island City, they’d be setting up a new tour, always using equipment I had designed or fixed or built or modified in some way. All different kinds of music—Judas Priest, Talking Heads, Blondie, Phoebe Snow. And I was the sound engineer. By the summer of 1978, Britro had several sound systems touring at any given time. That August, I got a call about a system
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