Wanda Ritter

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Du Maurier has sympathy for the suffering of others but avoids sentimentality. Her stories are often dark but never spiral into nihilism. She knows that true compassion is noble and demanding, but that tenderness is a vain form of pity indulged in by those who want to feel good about themselves without being put to the inconvenience of doing something.
The House at the End of the World
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