Megan

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Like a kraken risen out of the deeps, its voice never heard before in the world above the water, the intruder speaks again, a roar entwined with a squeal. This time Libby hears her name wrapped in the louder sound, attenuated and distorted—“Liiiiibeeeee”—not spoken in the yearning tone of a mother for her daughter, but as the dead and damned might call jealously to the living. Three more shots follow the first three.
The House at the End of the World
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