What I would point out, however, is that this very dynamic—taking stories of oppression and marginalization, stripping them of most of their racial and historical specificity (leaving just enough to add a frisson of exotic/erotic flavor), and recasting them with white bodies—is at the heart of most white fantasy, and thus is also the source of the incongruence that minority readers later struggle with, when those authors turn out to care little at all about the oppression they once so beautifully illustrated.
