He was alone, in the midst of a room so uncanny that it revived his dizziness for a while.
He was alone, in the midst of a room so uncanny that it revived his dizziness for a while. There was no furniture. Walls, floor and ceiling were all of the same translucent stuff, which appeared soft and undulant like many thicknesses of pale green veiling, but was tough and slick to the touch. Queer carvings and crimpings and ridges forming ornate patterns all over the floor were, to the exploring hand, nonexistent; they were eye-deceiving paintings, or lay beneath a smooth transparent surface. The angles where walls met were thrown out of true by optical-illusion devices of cross-hatching and pseudo-parallels used as decoration; to pull the corners into right angles took an effort of will, which was perhaps an effort of self-deception, since they might, after all, not be right angles. But none of this teasing subtlety of decoration so disoriented Falk as the fact that the entire room was translucent. Vaguely, with the effect of looking into a depth of very green pond-water, underneath him another room was visible. Overhead was a patch of light that might be the moon, blurred and greened by one or more intervening ceilings. Through one wall of the room strings and patches of brightness were fairly distinct, and he could make out the motion of the lights of helicopters or aircars. Through the other three walls these outdoor lights were much dimmer, blurred by the veilings of further walls, corridors, rooms. Shapes moved in those other rooms. He could see them but there was no identifying them: features, dress, color, size, all was blurred away. A blot of shadow somewhere in the green depths suddenly rose and grew less, greener, dimmer, fading into the maze of vagueness. Visibility without discrimination, solitude without privacy. It was extraordinarily beautiful, this masked shimmer of lights and shapes through inchoate planes of green, and extraordinarily disturbing.
