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One rule of thumb is to ask yourself, “Am I having a good time doing this?” If you’re not enjoying yourself when you’re engaged in what seems important to you, if you can’t find spontaneous pleasure and joy in it, if your heart doesn’t leap with excitement, then there’s likely something wrong. When that happens, you have to go back to the beginning and start discarding any extraneous parts or unnatural elements.
It is my belief that a rich, spontaneous joy lies at the root of all creative expression. What is originality, after all, but the shape that results from the natural impulse to communicate to others that feeling of freedom, that unconstrained joy?
Two principles guided me. The first was to omit all explanations. Instead, I would toss a variety of fragments—episodes, images, scenes, phrases—into that container called the novel and then try to join them together in a three-dimensional way. Second, I would try to make those connections in a space set entirely apart from conventional logic and literary clichés. This was my basic scheme.