AMBROSE: It was a piece of exploitation trash. MARTYR: How can you say that? AMBROSE: You’d defend that film? MARTYR: It was a moving portrait of one of Japan’s darkest secrets—a dark stain on their history. AMBROSE: That film is a dark stain on their history. Exploitative. The work of degenerates. The same people who praise that film are probably the same people that cream their pants over anything Darren Aronofsky directs. MARTYR: You know full well mother! 2 was a cinematic masterpiece. AMBROSE: Try “surrealist trash.” MARTYR: You think a film that layered, that textured is garbage?
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