The Grapes of Wrath

by John Steinbeck

This success will ruin me as sure as hell,” he confided in Working Days. Four days later, on August 20, Lorentz arrived for the weekend. His visit broke Steinbeck’s depression and log jam. Though their film project would fall through, Steinbeck was encouraged by Lorentz’s prescience that his novel would be one of “the greatest novels of the age.” Steinbeck kept up his daily stint (he aimed for two thousand words at each sitting, some days managing as few as eight hundred, some days, when the juices were flowing, as many as twenty-two hundred) through what Carol agreed were the “interminable details and minor crises” of August and September. In early October, rebuked often by his wife (Ma Joad’s indomitableness owes as much to Carol’s spirit as it does to Briffault’s The Mothers), Steinbeck roused himself from another bout of “self indulgence” and “laziness” to mount the final drive.