No matter how long the novel is, or how complex its structure, I will have composed it without any fixed outline, not knowing how it will unfold or end, letting things take their course and improvising as I go along. This is by far the most fun way to write. As a result, though, the story is riddled with all sorts of contradictions and inconsistencies. Characters may radically change partway through. The timeline may become tangled. These glitches must be fixed if the novel is to flow smoothly in a comprehensible manner. In the process, some lengthy sections may have to be cut back, while
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