Edwin Setiadi

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The Victor Talking Machine Company, which recorded LaRocca’s band on February 26, 1917, had been looking for an all-white band to record. It was complicated enough that jazz was perceived to be “Negro music” without having to sell the idea to white consumers that they should patronize Black musicians. Racism in America was about white supremacy, but it was also a commercial construct.
Dangerous Rhythms: Jazz and the Underworld
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