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Jeff’s discovery led to a deeper realization: everyone in hip-hop had heretofore been trying to cut, splice, and jam samples to accommodate the machine’s time grid, because producers were focused on mining samples for their sounds. But Jay Dee did the opposite: he bent the machine grid to accommodate his sample sources, because he was focused on using those samples for their rhythmic and harmonic feel.
Dilla Time: The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm
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