Paul  Adams

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But the album alienated many of James’s biggest fans and closest collaborators, who felt like the frenetic, low-fidelity beats didn’t sound anything like him. It was hard enough letting James go; it was harder to have James’s last beat tape eclipse the body of work they knew.
Dilla Time: The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm
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