On Writing and Worldbuilding, Volume I

by Timothy Hickson

Summary Firstly, have hooks that target two different points of tension in the narrative in the prologue and first chapter. If used, that hook should be something unable to be effectively communicated through the experiences of the main characters, but fundamental to the reader’s expectations and experience of the story going forward. Secondly, a prologue must be necessary. Backstory-prologues are generally better if they only provide backstory insofar as it helps the reader understand the very first chapter. Thirdly, avoid prologues that are exposition dumps. Weave exposition in through emotionalism and mystery. Fourthly, prologues can be used to communicate a unique tone, mood, or theme that cannot be effectively established in the first chapter. Ultimately, do not include a prologue unless it is necessary and you can do it well. However, at the same time, write the story you want to tell. This is our only responsibility as writers.