Anisha

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“It’s not looking promising for a quick end to the emergency,” a newscaster said, understating the situation to a degree previously unmatched in the history of understatement, and then he blinked at the camera and something in him seemed to stutter, a breaking down of some mechanism that had previously held his personal and professional lives apart, and he addressed the camera with a new urgency. “Mel,” he said, “if you’re watching this, sweetheart, take the kids to your parents’ ranch. Back roads only, my love, no highways. I love you so much.”
Station Eleven
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