The Anthropocene Reviewed

by John Green

As a person, he told me, your biggest problem is other people. You are vulnerable to people, and reliant upon them. But imagine instead that you are a twenty-first-century river, or desert, or polar bear. Your biggest problem is still people. You are still vulnerable to them, and reliant upon them.

I wanted to understand the contradiction of human power: We are at once far too powerful and not nearly powerful enough. We are powerful enough to radically reshape Earth’s climate and biodiversity, but not powerful enough to choose how we reshape them. We are so powerful that we have escaped our planet’s atmosphere. But we are not powerful enough to save those we love from suffering.

Marveling at the perfection of that leaf, I was reminded that aesthetic beauty is as much about how and whether you look as what you see. From the quark to the supernova, the wonders do not cease. It is our attentiveness that is in short supply, our ability and willingness to do the work that awe requires.

While it is human nature to blame and demonize others in miserable times, it is also human nature to walk together, the leaders as barefoot as the followers. The residents of Damascus left us a model for how to live in this precedented now. As the poet Robert Frost put it, “The only way out is through.” And the only good way through is together. Even when circumstances separate us—in fact, especially when they do—the way through is together.

HEARTBREAK is not really so different from falling in love. Both are overwhelming experiences that unmoor me. Both burst with yearning. Both consume the self.

Like any magic, you have to be careful with a magical song—listen to it too often, and it will become routine. You’ll hear the chord changes before they come, and the song will lose its ability to surprise and teleport you. But if I’m judicious with a magical song, it can take me back to places more vividly than any other form of memory.

He likes to remind me that I am made out of the materials of the universe, that I contain nothing but those materials. “Really,” he told me once, “you’re just a hunk of Earth trying to sustain a departure from chemical equilibrium.”

“I smell the wound and it smells like me,” Terry Tempest Williams writes in Erosion. I live in a wounded world, and I know I am the wound: Earth destroying Earth with Earth.

Anaïs Nin wrote that we don’t see things as they are; we see them as we are.