Helena Walsh

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In these words, I caught a glimmer of some possibility of freedom. I realized that my inability to do what he was talking about—to disguise the people I knew and turn them into fictional “characters”—had been the biggest problem I had in writing, and thus in my plan of life. In some way it was a bigger problem than Ivan—or maybe Ivan was a part of that problem, which had predated him by many years.
Either/Or
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