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Kindle Notes & Highlights
by
Tiago Forte
The creative process is fueled by attention at every step. It is the lens that allows us to make sense of what’s happening, to notice what resources we have at our disposal, and to see the contribution we can make.
The ability to intentionally and strategically allocate our attention is a competitive advantage in a distracted world.
This is generally good advice, but there is a flaw in focusing only on the final results: all the intermediate work—the notes, the drafts, the outlines, the feedback—tends to be underappreciated and undervalued. The precious attention we invested in producing that in-between work gets thrown away, never to be used again. Because we manage most of our “work-in-process” in our head, as soon as we finish the project and step away from our desks, all that valuable knowledge we worked so hard to acquire dissolves from our memory like a sandcastle washed away by the ocean waves.
The final stage of the creative process, Express, is about refusing to wait until you have everything perfectly ready before you share what you know.
It is about expressing your ideas earlier, more frequently, and in smaller chunks to test what works and gather feedback from others.
That feedback in turn gets drawn in to your Sec...
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Intermediate Packets: The Power of Thinking Small
Every profession and creative medium has its own version of “intermediate steps” on the way to full-fledged final works.
Each of these terms is the equivalent of a “rough draft” you create as part of the process of making something new.
Intermediate Packets are the concrete, individual building blocks that make up your work.I
Any note can potentially be used as an Intermediate Packet in some larger project or goal.
Reusing Intermediate Packets of work frees up our attention for higher-order, more creative thinking. Thinking small is the best way to elevate your horizons and expand your ambitions.
There are five kinds of Intermediate Packets you can create and reuse in your work:
Distilled notes: Books or articles you’ve read and distilled so it’s easy to get the gist of what they contain (using the Progressive Summarization technique you l...
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Outtakes: The material or ideas that didn’t make it into a past project but could...
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Work-in-process: The documents, graphics, agendas, or plans you produced...
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Final deliverables: Concrete pieces of work you’ve delivered as part of past projects, which could becom...
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Documents created by others: Knowledge assets created by people on your team, contractors or consultants, or even clients or customers, that you can ...
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First, you’ll become interruption-proof because you are focusing only on one small packet at a time, instead of trying to load up the entire project into your mind at once.
Second, you’ll be able to make progress in any span of time.
Third, Intermediate Packets increase the quality of your work by allowing you to collect feedback more often.
Fourth, and best of all, eventually you’ll have so many IPs at your disposal that you can execute entire projects just by assembling previously created IPs.
Intermediate Packets are really a new lens through which you can perceive the atomic units that make up everything you do. By “thinking small,” you can focus on creating just one IP each time you sit down to work, without worrying about how viable it is or whether it will be used in the exact way you envisioned.
Assembling Building Blocks: The Secret to Frictionless Output
While you can sit down to purposefully create an IP, it is far more powerful to simply notice the IPs that you have already produced and then to take an extra moment to save them in your Second Brain.
Over time, your ability to quickly tap these creative assets and combine them into something new will make all the difference in your career trajectory, business growth, and even quality of life.
How to Resurface and Reuse Your Past Work
How can you find and retrieve Intermediate Packets when you need them?
This inherent unpredictability means that there is no single, perfectly reliable retrieval system for the ideas contained in your notes.
Those four retrieval methods are: Search Browsing Tags Serendipity
Retrieval Method #1: Search
Search should be the first retrieval method you turn to.
Retrieval Method #2: Browsing
Many notes end up being useful in completely unexpected ways. We want to encourage that kind of serendipity, not fight it!
Retrieval Method #3: Tags
Tags can overcome this limitation by infusing your Second Brain with connections, making it easier to see cross-disciplinary themes and patterns that defy simple categorization.
I don’t recommend using tags as your primary organizational system. It takes far too much energy to apply tags to every single note compared to the ease of searching with keywords or browsing your folders.
Retrieval Method #4: Serendipity
Three Stages of Expressing: What Does It Look Like to Show Our Work?
Remember: Retrieve an Idea Exactly When It’s Needed
Creativity Is Inherently Collaborative
A common myth of creativity is that of the solitary artist, working in total isolation. We are implicitly told that we must shut ourselves off from the influence of others and flesh out our masterpiece by the sweat of our brow.
Reframing your work in terms of Intermediate Packets isn’t just about doing the same old stuff in smaller chunks. That doesn’t unlock your true potential. The transformation comes from the fact that smaller chunks are inherently more shareable and collaborative.
You can use each little piece of intermediate feedback to refine what you’re making—to make it more focused, more appealing, more succinct, or easier to understand.
Once you understand how incredibly valuable feedback is, you start to crave as much of it as you can find.
There are certain notes in your Second Brain that are disproportionately valuable, that you will find yourself returning to again and again.
It is by sharing our ideas with other people that we discover which ones represent our most valuable expertise.
The CODE Method is based on an important aspect of creativity: that it is always a remix of existing parts.
As part of the team at Industrial Light & Magic, the studio behind many special effects films, he relied on a particular kit that found its way into almost every model the team ever built.