Either/Or
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Kindle Notes & Highlights
Read between June 9 - June 13, 2022
14%
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I thought it was just as bad to be tormented to death by a relative or a landlord as to be shot in a death camp.
15%
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why boors, in general, were widely tolerated and promoted to high social positions: because they accurately gauged and reflected “the way of the world”?
15%
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she started defending him and listing good things he had supposedly done that I didn’t know about.
16%
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The realist novel was predicated on the contingency of everyday life,
16%
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How was one to be so artful that the end product seemed to be free of art?
16%
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Louis Aragon described Paris as a palimpsest of chance encounters.
16%
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though, I realized none of these things was actually a problem for me, so I just went to the library.
17%
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I wished there was a class where they could teach you how to calculate the right time to die.
18%
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It was a relief that the person they sent
18%
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to teach you ethics wasn’t some kind of asshole.
18%
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impermeably American
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confidently international
19%
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their parents were the kind of rich people who thought it was harmful for their children
19%
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to be spared any kind of hassle.
19%
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But my parents were the only ones I knew who never acted like I owed them money for being alive,
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I was so grateful that sometimes I sat in my room and cried.
19%
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This kind of touchiness was familiar to me from Turkish people, and gave me a fond, protective feeling.
20%
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(What even differentiated a great and honorable war, where you were trying to secure some land by murdering people, from a shameful genocide, where you were trying to secure some land by murdering people?)
21%
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There were no women in that book with whom nobody thought about having sex.
21%
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Others seemed to have waterproofed their own persons as peremptorily as if they were lawn furniture.
21%
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I felt scornful of myself for knowing that.
21%
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Ugh. I refused to believe that dissimulation was more virtuous than honesty.
21%
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If there were rewards you got from lying, I didn’t want them.
22%
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In a way, it had been a test of what a person could achieve just through writing.
22%
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My parents sometimes remembered things differently from each other, and from me.
22%
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he had complained about
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the sentimentalization of motherhood—how
22%
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how motherhood, “mother love,” was supposed to automatically make...
This highlight has been truncated due to consecutive passage length restrictions.
23%
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On the one hand, I despised her for talking so much and saying so little,
24%
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When you were trying to solve a mystery, and you came across a name you had encountered earlier in your investigation,
24%
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it was a sign that you were on the right trail.
24%
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I had wanted to become a novelist before I even knew how to read,
24%
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when I could only consume books by having them read to me, and none of them seemed long enough.
24%
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understood that a novel would explain all the things I still wanted to know,
24%
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The words, “tacos, beige,” written on a piece of looseleaf paper made me feel the foreclosing of every possibility of anything exciting ever happening to me in the rest of my life.
25%
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dissimilarity between the kind of writing I was always doing, and an actual novel.
25%
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It felt shameful to be so unartistic and self-obsessed, to not want to invent richly fictional characters.
25%
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the disorder you experienced in your childhood was somehow to your credit, or capitalizable upon in later life—even though, or precisely because, it was a discredit to your mother. So your credit and your mother’s credit were somehow at odds.
25%
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Why were other people’s coincidences always so boring?
26%
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it was somehow funny or admirable
26%
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Why was it that science and history could be boring, but other books couldn’t?
26%
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I wondered if she was in love, and whether the guy was an idiot.
26%
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a posteriori,
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How unjust it was, when people treated the actual as limiting proof of the possible!
27%
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“not so much a thing as a way things happen,”
28%
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Was it supposed to be understood that she had been raped? It felt like that was often what was supposed to be understood in short stories.
29%
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what I felt for Ivan was only a crush, because I didn’t have a self I was secure with.
29%
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Didn’t the very essence of a fence reside in the fact that it was stationary?
32%
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Love wasn’t a slumber party with your best friend. Love was dangerous, violent, with an element of something repulsive; attraction had a permeable border with repulsion. Love had death in it, and madness. To try to escape those things was immature and anti-novelistic.
33%
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“I saw that your lights were on, so I thought I would knock at your door. But I decided to space the knocks very far apart, and then decrease the interval, to see how close the knocks have to be together, before they are perceived as knocking.”