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I am so tired, and the water is so comforting, that I nearly slough off my vigilance.
weaponizes conventional understandings of sex and gender as a way to feed the violent hunger of Mumu’s loneliness is what makes Walking Practice a profoundly queer work of literature.
many of Mumu’s fears and the dangers they face are mirrored in the fears and dangers faced by queer people, not only in Korea, but around the world: the fear of being out-ed, the threat of persecution, the potential to be met with violence in the pursuit
of love.