Matthew McConnell

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Caravaggio tells the sacred story by way of emphasizing the profane, stunning viewers with his intensity and directness. He didn’t want to make art that was only meant to be glanced at. He wanted to create a visceral experience for his viewers—something that would stop them, trouble them, or arouse whatever might be sleeping in their souls.
Rembrandt Is in the Wind: Learning to Love Art through the Eyes of Faith
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