Matthew McConnell

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Edward, on the other hand, struggled. In the formative years of his twenties and thirties, he did not have a clear vision of who he was creatively. Though he made a living illustrating ad copy, he couldn’t sell his own work. He was the kind of artist who lived in the privacy of his own mind and preferred it that way.
Rembrandt Is in the Wind: Learning to Love Art through the Eyes of Faith
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