Or he could paint with fluid, dynamic, unrestrained brushstrokes and give the viewer the impression of a horse in the wild, coiled in fear. The impression of the horse seemed more alive—a truer horse than the realistic portrait. Though he did not know it, Delacroix and others like him were inspiring the development of a new genre of art: Impressionism.
Seeking an internal truth- impression birthed a new form of beautiful.
